More CNC Digi Fab.

Hello world!

Hello world!

Little plate and vase from the last train kiln.

Little plate and vase from the last train kiln.

Some of the CNC forms I made molds of the other day. Still trying to cast them. Luckily I have a couple tricks up my sleeve. I love digi fab.

Some of the CNC forms I made molds of the other day. Still trying to cast them. Luckily I have a couple tricks up my sleeve. I love digi fab.

My deepest apologies for being MIA Internet friends. It’s been a busy summer with department renovations and working for Margie Hughto. I have been able to get a couple train firings in and here are some of the little beauty’s I got out. I made about 120 tea bowls which will be making their way to Black Rock City in a couple weeks. I can’t wait for this project to finally happen.

wherearchitectureisfun:

WAÏF: When architecture is just perfect

Instituto del Patrimonio Cultural de España

Fernando Higueras (1930-2008) and Antonio Miró (1931-2011)

Madrid, 1960-1990

Source

(via monstereatsdesign)

iamtonysexual:

bestnatesmithever:

zerostatereflex:

Tangible Media

MIT’s Tangible Media is coming along nicely,

"Almost like a table of living clay, the inFORM is a surface that three-dimensionally changes shape, allowing users to not only interact with digital content in meatspace, but even hold hands with a person hundreds of miles away. And that’s only the beginning."

/p>

(via productdesignresources)

cross-connect:

Larice Barbosa is a design student and photographer from Brazil.

Read More

(via hifructosemag)

darksilenceinsuburbia:

Tamsin van Essen

Erosion Series

This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.

(via ktfitzgerald)

andrewberg:

(via maximo riera manufactures the millennial console collection from ancient trees)